Review of Elena’s Shift (2025), by Stefanos Tsivopoulos
Film trade press and visibility in times of saturation: on the debate at Industry@Tallinn of the Tallinn Film Festival
The Good Daughter wins the Grand Prix and the Audience Award at the 2025 Tallinn Black Nights Film Festival
Review of No Comment (2025), by Petter Næss
Review of The activist (2025), by Romas Zabarauskas
Review of Think of England (2025), by Richard Hawkins
Review of LifeLike (2025), by Ali Vatansever
Review of The stories (2025), by Abu Bakr Shawky
Review of Street Wanderers (2025), by Juan Martín Hsu
Review of Mo Papa (2025), by Eeva Mägi
Review of A Safe Place (2025), by Cecilia Stefanescu
Review of 18 Holes to Paradise (2025), by João Nuno Pinto
Review of Hungarian Wedding (2025), by Csaba Káel
The 29th edition of the Tallinn Black Nights Film Festival (PÖFF 29) has begun
Review of They Will Be Dust (2024), by Carlos Marques-Marcet
Tiina Lokk, director of the Tallinn Film Festival, urges prioritizing dialogue and rejecting boycotts
El Festival Black Nights de Tallin anuncia la selección de su Competición de Óperas primas
Cuento de verano, de Matías Szulanski, y Los caminantes de la calle, de Juan Martín Hsu, participarán en la Critics’ Picks Competition del 29th Tallinn Black Nights Film Festival
PÖFF Shorts 2025 anuncia su programación: Tres minutos, de Sofía Medrano, competirá en Live-Action y My gut friend, de Lo Bianco y Bergara, en Animación
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