Review of Emi (2025), by Ezequiel Erriquez Mena
Review of A poet (2025), by Simón Mesa Soto
Notes on “The Collaborative Art”: Fredrik Elmes’ Masterclass (Director of Photography for David Lynch, John Cassavetes, and Jim Jarmusch) in Thessaloniki 2025
The Agora of the Thessaloniki Festival presents its awards in a night celebrating emerging cinema
Cotton Queen, by Suzannah Mirghani, is the big winner of the 2025 Thessaloniki Film Festival.
Review of Another Man (2025), by David Moragas
Review of Once Upon a Time in Gaza (2025), de Mohammed Abou Nasser y Ahmad Abou Nasser
Review of The True Beauty of Being Bitten by a Tick (2025), by Pete Ohs
“There are never enough voices for Palestine”: on Isabelle Huppert’s talk at the 2025 Thessaloniki Festival
Review of The Last One for the Road (2025), by Francesco Sossai
Review of Mare’s Nest (2025), de Ben Rivers
Review of Kika (2025), by Alexe Poukine
Some notes on the talk “Casting in the Age of Technology: Discovering the Soul of a Story” at the Thessaloniki Festival 2025
Review of Diversion (2025), by Marinos Kartikkis
Review of Rains Over Babel (2025), by Gala del Sol
Review of Female (2025), by Konstantinos Menelaou
Official trailer of Emi, by Ezequiel Erriquez Mena, in the official competition of the Thessaloniki International Film Festival
Review of Father Mother Sister Brother (2025), by Jim Jarmusch
The Thessaloniki International Film Festival celebrates its 66th edition with a program that combines cinematic memory and new perspectives on world cinema
TIFF 2025, the Thessaloniki International Film Festival, announces the titles of the FilmForward competition
The Thessaloniki Film Festival will honor Yorgos Tsemberopoulos with the Honorary Golden Alexander
Cine
Cine
