Review of Youth is an Island (2024), by Louise Ernandez
Review of The Heart of Eternity (2024), de Louise Chevillotte
Review of 09/05/1982 (2025), by Camilo Restrepo & Jorge Caballero
Review of Action Item (2025), by Paula Ďurinová
Review of Intersections (2025), by Julián Galay
Review of Conference of the Birds (2025), by Amin Motallebzadeh
Fuck the Polis, by Rita Azevedo Gomes, wins the top award at FIDMarseille 2025.
Nicolás Pereda, Alexandra Karelina, and Helena Wittmann among the winners of the 17th edition of FIDLab
Review of Letters to My Dead Parents (2025), by Ignacio Agüero
Review of Fuck the Polis (2025), by Rita Azevedo Gomes
Review of Abortion Party (2025), by Julia Mellen
Review of Estados generales (2025), by Mauricio Freyre
Review of Fantasy (2025), by Isabel Pagliai
Review of Green Screen (2025), by Nine Antico
Review of Atado (2025), by Ran Shao
Review of Bardo (2025), by Viera Čákanyová
Review of Under the Flags, the Sun (2025), de Juanjo Pereira
Review of Kontinental ’25 (2025), de Radu Jude
FIDMarseille unveils a new visual identity for its 36th edition and announces a retrospective dedicated to Radu Jude
