Review of Take the Money and Run (2025), by Ole Juncker
All the DOK Leipzig 2025 Industry Awards Announced
Review of Clan of the Painted Lady (2025), by Jennifer Chiu
Review of Elephants & Squirrels (2025), by Gregor Brändli
DOK Leipzig 2025: a vibrant finale for an edition that celebrated debate and the diversity of documentary cinema
Review of A Jewish Problem (2025), by Ron Rothschild
Review of Coexistence, My Ass! (2025), by Amber Fares
Peacemaker, by Ivan Ramljak, Wins Best Film Award at DOK Leipzig 2025
“If you go looking for what you already know, that’s television, not cinema.”Claire Simon’s Masterclass at Dok Leipzig 2025
Review of The Woman Who Poked the Leopard (2025), by Patience Nitumwesiga
Review of The Thing to Be Done (2025), by Srđan Kovačević
Review of Little, Big, and Far (2024), de Jem Cohen
Some notes on the talk “Shorts, Screened and Streamed: Connecting Audiences to Short Films” at DOK Leipzig 2025
Review of Amarelo Banana (2025), by Alexandre Sousa
DOK Neuland 2025 explores the materiality of the digital with immersive works and a joint program with DOK Exchange XR in Leipzig
Review of Peacemaker (2025), by Ivan Ramljak
Review of Una película de miedo (2025), by Sergio Oksman
Review of Active vocabulary (2025), by Yulia Lokshina
Some Notes on the Talk “What can a sales agent do for your film? How to find and work with a sales agent?” at Dok Leipzig 2025
DOK Leipzig opened its 68th edition with a forceful call to defend culture and its spaces of freedom
Black Diaries, by Patricio Plaza, selected for the 21st edition of the DOK Co-Pro Market, part of the DOK Leipzig festival, to be held from October 27 to 28
Writing Life: Annie Ernaux Through the Eyes of High School Students,” by Claire Simon, will be the opening film of DokLeipzig 2025
