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Blue Heron, by Sophy Romvari, and cinema as a tool for living with the past

What’s Left Unsaid in Kelly Reichardt’s Cinema: Subtext as a Cinematic Language

The Surrender of (Commercial) Auteur Cinema to the Algorithm? On One Battle After Another and Chance as the Only Narrative Weapon

One Battle After Another and Timeless Politics: The Perpetual Hostility Towards Migrants

Wes Anderson: Worn-out Style or Constantly Expanding?

The Absence of Gaza at BAFICI and Mar del Plata: A Silence That Challenges

Minimal science fiction: Saulė Bliuvaitė and Radu Jude, toxic futures and contaminated bodies

The Invisible Journey: On The Message, by Iván Fund

At the Margins of the World. About When the Clouds Hide the Shadow

Fassbinder: An Uncomfortable Mirror for Germany Then and Now