Interview with María Silvia Esteve, director of Mailin
Mehrdad Oskouei’s A Fox Under a Pink Moon Takes Best Film at IDFA
About the IDFA Talks session: “Alternative Distribution and Exhibition – Reconnecting with Audiences”
Interview with Lucas Gallo, director of December
“Can filmmakers make a living from their craft? A look at the IDFA talk ‘Where Are My Fees?’”
Review of Blood Red (2025), by Martin Imrich
Review of The Shipwrecked (2025), by Diego Gutiérrez
Review of Trillion (2025), by Victor Kossakovsky
Review of Confessions of a Mole (2025), by Mo Tan
IDFA Forum announces the winners of its 2025 awards
Notes on the talk at IDFA: Fairer Co-Productions, an urgent debate on equity in the global industry
Interview with Martin Imrich, director of Blood Red
Review of My Word Against Mine (2025), by Maasja Ooms
Review of Synthetic Sincerity (2025), by Marc Isaacs
The tension between truth and artifice in the IDFA talk ‘Who’s Watching Whom? – Documentary and AI
IDFA’s artistic director, Isabel Arrate Fernández, states that “we need filmmakers’ voices now more than ever” following the ban on Israeli state-funded organizations
About the IDFA talk “Building Fair Co-productions: Case Studies and Solutions,” a look at how to build more equitable alliances in documentary filmmaking
A Revolution in Three Acts: IDFA 2025 Opened with a Program of Short Films Exploring Protest
Review of Writing Life: Annie Ernaux Through the Eyes of High School Students (2025), by Claire Simon
Mailín, de María Silvia Esteve, y Diciembre, de Lucas Gallo, tendrán su estreno mundial en el IDFA 2025
Talia, de Pedro Speroni, seleccionada en el Forum Pitch del IDFA 2025. Todos los seleccionados:
IDFA 2025 anuncia a Susana de Sousa Dias como Invitada de Honor y revela los primeros títulos de su 38ª edición
