The new films by Hernán Rosselli, Benjamín Naishtat and Federico Luis are among the eighteen Argentine projects that will receive support from the Ibermedia Program, as announced during the Ordinary Meeting of the Intergovernmental Committee held within the framework of the Santiago International Documentary Festival (FIDOCS). The selection also includes works by filmmakers such as Lorena Muñoz and Julia Solomonoff.

The 100 selected projects are divided as follows:

36 for co-production of Ibero-American feature films,
30 for co-development of Ibero-American feature films,
9 for co-development of Ibero-American series,
20 for training of Ibero-American film and audiovisual professionals, and
5 for distribution and circulation of Ibero-American feature films.
The lists for each support category can be accessed through the corresponding links.

The XXXV Ordinary Meeting of the Ibermedia Intergovernmental Committee took place during the 29th edition of FIDOCS, which included in its official selection three documentary features made with the Program’s funding.

Authorities and delegates from Argentina, Brazil, Chile, Colombia, Costa Rica, Cuba, Ecuador, Spain, Guatemala, Honduras, Mexico, Paraguay, Portugal, the Dominican Republic and Uruguay attended the meeting in person, while representatives from Bolivia, El Salvador, Panama and Peru participated remotely.

Proyectos seleccionados en Coproducción

DERIVA, de Julia Solomonoff
Con Rafael Ferro. Guion: Julia Solomonoff y Laura Huberman
Aurora Cine (Argentina); Burning (Colombia); Esquina Produções Artísticas (Brasil)
LA ESCUELA PESADA, de Hernán Rosselli
Nu Revedup (Argentina); Multiverso Filmes (Brasil); Potenza Producciones (España)
LOS ERIZOS, de Victoria Galardi
Juan Pablo Miller (Tarea Fina, Argentina); Federico Veiroj (Cinekdocke, Uruguay).
ZONA NORTE, de Benjamín Naishtat
Oh My Gomez (Argentina), Amate Films (México)
LOS POZOS DEL DIABLO, de Jairo Boisier
Diego Pino Comuncación Audiovisual (Chile); Caviar (Argentina); S. Lima (Brasil); Mat Productions (Francia)
CUNA ROJA, de Ricardo Morinigo
Guaraní Estudios (Paraguay); Productora de la Tierra (Argentina)
REMANSO, de Pablo Lamar
Sapukai Cine (Paraguay); Tarea Fina (Argentina); San Telmo Filmes (Brasil)
FAUNA, de Federico Veiroj
Cinekdoque (Uruguay); Pasto (Argentina); Kormenia Films (España)

Codesarrollo de Largometrajes

¿POR QUÉ VOLVÍAS CADA VERANO?, de Lorena Muñoz
Mostra Cine (Argentina); Cindy Teperman (Argentina); Atrece (España)
PERROS HÉROES, de Federico Luis
Planta Producciones (Brasil); Rei Cine (Argentina)
PAGAMENTO,
Ciudad Lunar Producciones (Colombia); Rei Cine (Argentina)
LA PASTORA, de Cande Lázaro Cienfuegos
Mansalva Films (España); BKN Films (Argentina)
NO ES UN RÍO, de Diego Martínez Ulanosky
Beita Producciones (México); Ajimolido Films (Argentina) CUANDO ME CONVERTÍ EN BRUJA
Sudestada Cine (Uruguay); Lagarto Jyap (Argentina) – Animación
LA VOLUNTARIA
El Cielo Cine (Uruguay); Lechiguana (Argentina)

Codesarrollo de Proyectos de Series

VISCERAL
Magma Cine (Argentina); Tomasa Films (México) – Ficción – Coming of age, Drama
BLESSED
Don Quijote Films (Chile); Gentil Cine (Argentina) – Documental – Biográfico
HOMBRE MUERTO
Pablo Agustín Palermo Sangenis (Uruguay); Anfibia Cine (Uruguay); Cooperativa de Trabajo Rutemberg (Argentina)